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A handcrafted ring resting on linen in the Lyon atelier

Atelier de Bijouterie  ·  Lyon  —  since 2009

Liliana Gonin

Independent jewelry design, made by hand in Lyon since 2009.

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CHAPTER I  ·  THE MAKER

A studio of one name, one bench, one city.

I draw every piece at the same wooden bench I was given when I left the École de Bijouterie de Lyon in 2008. The brass arrives in sheets, the silver in grain; I saw, file, solder and set each stone by hand. What leaves the atelier is not a collection in the seasonal sense — it is a numbered object, signed on the back, made by a specific person in a specific place.

I work with brass, silver and semi-precious stones because they age honestly. They take a patina. They carry the years of the person who wears them. Nothing I make is plated, outsourced, or reproduced beyond forty pieces a year.

— Liliana Gonin, founder & maker

Inside the Lyon atelier — wooden bench, hand tools, half-finished brass

THE ATELIER

Twelve Capucins, Lyon — since 2009.

A four-person studio on the slope of the Croix-Rousse, in the old silk-weavers' quarter where the city's jewellers have worked for two centuries.

Founded
2009, Lyon — by Liliana Gonin, École de Bijouterie de Lyon, class of 2008.
The team
Four people: two in-house goldsmiths, a workshop assistant, and a dedicated bespoke commissioner.
Certification
'Artisan d'Art' certified by the Chambre des Métiers et de l'Artisanat, registration #69-2018-CM.
Pieces shipped
Over 6,200 numbered pieces sent into the world since founding.
Bench time
An average of eleven hours of handwork per piece.

CHAPTER III  ·  THE MODEL

Each piece is numbered, signed, and limited.

The studio does not run on a season. It runs on a number of editions — a fixed ceiling on every design, and a maker's signature on the back of each one.

  1. 01

    No more than 40 per design, per year

    Once the edition is closed, the moulds are broken. The piece will not be made again — a deliberate scarcity that protects both the work and the wearer.

  2. 02

    Hand-numbered & signed

    Every object carries its edition number and Liliana's signature on the reverse — proof that it was made at this bench, in this year, by this maker.

  3. 03

    Eleven hours of bench work, on average

    No piece is cast in series. Each is sawn, filed, soldered, set and finished by hand — an average of eleven hours before it leaves the studio.

  4. 04

    Lifetime repair & re-finishing

    Every piece shipped carries a lifetime repair and re-finishing guarantee. Bring it back to Lyon, or send it by post — we will return it to you, ready to wear again.

CHAPTER IV  ·  BESPOKE

For commissions, begin a conversation.

We take a small number of bespoke commissions each year — bridal sets, editorial loans, and one-off pieces for collectors. Each begins with a drawing, a stone, and a long letter.

  • Lead timeSix weeks from first drawing to finished piece.
  • In 2023147 bespoke pieces fulfilled — including private bridal collections.
  • Point of contactA dedicated in-house commissioner replies within two working days.
A first sketch in the notebook — the beginning of a commission

IN THE PRESS

  • Vogue Italia
  • Madame Figaro
  • Wallpaper*
  • Bijorhca Paris — Créateur 2022

“One of the small studios to watch — quietly sculptural work, made in editions small enough to know every owner by name.”

— Wallpaper*, Small Studios to Watch, 2024
4.9 / 5 across 412 verified reviews Stocked in 38 independent concept stores across France, Italy, Belgium & the US

Wear a specific object, made by a specific person.

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